Tuesday, 19 May 2015

Term 2 Week 2: Digital Technology Penina Momoeisea Response

PENINAJOY Research


Looking at life through a lens (thats Rose Tinted) - David Dallas. Life is good and there are a lot of things in life that fascinate me - art, music, travel, tattoos & most of all people. These are a few of my favourite things & this is how I see them - through my lens.  I love Niue!  Mostly because it’s a place that holds a lot of fun childhood memories from when my family & I lived there …. and we weren’t even there all THAT long but it definitely left an impression on me. My parents were missionaries so we travelled around a lot growing up & on this particular trip we’d flown to Niue from Samoa back in the day when Air NZ flew between the South Pacific Islands.  When we finally left and moved to Rarotonga, the flight that we were on was actually the last flight between Niue and Rarotonga EVER.

Polyfest 2015 by Peninajoy Reference: http://peninajoy.com/


Peninajoy enjoys her photography love being around people. She seems a real cool and down to earth person enjoys life through the lens. Peninajoy's photos are relaxed. The subjects naturally connect with Peninajoy when being photographed.



She is very family oriented, they all help with the upkeep of the website etc.  This photo was taken in South Auckland, perhaps it reminded her of some part of her childhood. Lots of laughter and a large family.


South Auckland kids Otahuhu





Looking into the archives of Peninajoy her work is very diverse and interesting. She does amazing work an example that I really enjoyed was one of the fashion shoot.




I can relate to the Polyfest 2015 very exciting and amazing colours and people to photograph. Some photos I took at the polyfest 2015. The different and changing the style and people. 

Peninajoy Response

Peninajoy is a very down to earth photographer. She is still using the same equipment which she has for many years. She is very comfortable with her gear and produces amazing photos. This shows that the best equipment differently helps to get a great shot, but it is still up to the person taking the photo. Her love for working with people is evident. Penina's photos are of gigs, tattoo's, street people and graffiti art. She seems to have a photo journal of her life and family. Photography is not her full time position, she is a travel agent and part time photographer. 
This allows her to travel meet new people and take photos. 

Peninajoy does not have any formal qualification but the school of experience. The church had a creative arts ministry available which Peninajoy attended. The ministry was mainly art and dance hip hop which she enjoys but is not very good at it. Her passion for photography gave her the opportunity to change direction and use her camera. She started taking photos from a very young age of 10years. The first portfolio 'Me Myself and I' this was done on two A1 + boards in a collage format. Family, friends photos, colour and black and white. 

Peninajoy photographs for Fresh TV and Coconet. She gets to see a large number of the big performers. Peninajoy is part of a group 'The Society" meeting on a Monday night. They meet at different venues each week. The group communicates through texting each other where and when to meet. They discuss and help each other with techniques and ideas. Raymond Sagapolutele is the person heading the group.

I really enjoy the variety of subjects Peninajoy photographs. She encouraged us to get out there and practice. One of her examples was the night life gigs. Low light and movement. One of the lessons I learned was practice, practice, practice. 

Listening to Peninajoy encouraged me to head out and take some different photos of buildings and street life. Things I do enjoy photographing plants and flowers.


Top left: Impatiens Bottom left: cluster of seeds Right: Pohutukawa tree flower

Concept: To create a close up photo photographing the detail of the flowers. Blurring the background so the viewers eyes go straight to the flower. The bolder the flower the more attractive it looks, for example bold colours.

Evaluation: 
• natural lighting • Large f-stop • blurred background drawing the viewers eye towards the flower • colours compliment • narrow DOF • tight crop

The Pohutukawa flower top right is bright, warm colours they compliment each other the reds and greens. 
Impatiens top left cooler colours softer looking effect with the vignetting around the edges.

Experimentation:
Faster aperture no tripod, blurring the background was important as this enhances the flower. Looking for bright colours. Perhaps something different which I found a bud ready to seed, no colour but details and texture great.

Contextualization:
When taking the photos of the plants it made me relaxed and happy. Editorial genre documenting different types of flowers. 



Aim (1): positioning the two buildings so it looks like one. 
The sky tower is positioned behind the building. Straight line leading up to the tower. The aim was to get the buildings lined up but this is not quiet right slightly off. I am happy with the outcome almost correct one is able to see the effect I am trying to create.

Experimentation:
Buildings look for unusual positions. 3 positions. (1) The sky tower above. (2) Trucks, park in the Aotea trimming trees. below (3) Buildings with windows damaged. below.

Evaluation: 
• colours bright • leading lines • opposite shapes • Wide DOF • large and small f-stop • cropping tight • framed to the centre left and centre photo • on the rule of thirds • low angle building with windows & leaves

Contextualization:
Looking at the building below made me feel rather small. Beautiful clear blue sky. Nothing happening at the time beside the amount of people or tourists walking around and just chilling in the city. Building are a lot easier to photograph than people no movement or instructions needed. Editorial genre | life street. Photos below the buildings window are broken and tape up or boarded. 

Aim (2): Trucks, park in the Aotea trimming trees.

Aim (3): Buildings with windows damaged.

Photo left has no leaves or little showing. The right below photo, leaves create a different mood winter and autumn colours. The people in the photo show the large trees and how small they are.




















Sunday, 10 May 2015

Term 2: Week 1 Portfolio Self Tasks for Genre Samples

 Life | Nature

Botanical Gardens
F2.8 1/500 ISO100 EF24-70mm@24mm
Enjoyed the contrasting colours of the trees and the leaves. Leading lines with the path and structure. People in the background having a picnic. Wide DOF  using the rule of thirds.


F2.8 1/640 ISO100 EF24-70mm@45mm
Loved the size and shape of the pumpkin can you guess the weight?  Changed the background in Camera Raw to Black and White to enhance the pumpkin.

Happy Mothers Day started with an early sunrise.

 F2.8 1/13 ISO160 EF24-70mm@24mm Tripod


Leading line helps move ones eye towards the trees in the background. Wide DOF keeping the photo in focus and sharp.'Eucalyptus Tree'
  F9 1/200 ISO160 EF24-70mm@70mm Tripod
  F9 1/200 ISO160 EF70-200mm@200mm Tripod


Birds flying in a line just above the clouds photos cropped below.



  F9 1/200 ISO160 EF70-200mm@200mm Tripod
   F9 1/200 ISO160 EF70-200mm@200mm Tripod
  F5.0 1/60 ISO100 EF24-70mm@24mm sun is up


 F2.8 1/400 ISO100 EF24-70mm@24mm
Sun is up with moon in the far distance. The sky enhances the shape of the trees. 'Eucalyptus Tree'

F5.0 1/60 ISO100 EF24-70mm@24mm 
The sun warmth on the tree in the mid ground to the left. Creates a contrast of colours. Soft light to the left the trees in the foreground are cooler no shadows. 'Blue Gum tree'


Term 2 Week 1: Digital Technology Field Trip Two Room

Art Gallery Two Room

  1. Performing Arts Theater
    Address: 16 Putiki Street, Newton 1021

    Exhibtitions: Mark Adams | Conor Clarke 24 April - 23 May 2015

    Mark Adams: 
    Mark Adams is one of New Zealand’s foremost documentary photographers, with over thirty years engagement in our colonial and pre-colonial histories. His first journey to Dusky Bay in 1995 launched his exploration of James Cook’s landing sites. His portrayal of these locations responds to the vision of painter William Hodges who was present on the second of Cook’s voyages. Adams made further expeditions to Dusky Sound in 1997 and 1998, more recently returning in May 2014.

    Nine Fathoms Passage



    Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 2014. After William Hodges 'Waterfall in Dusky Bay with a Maori Canoe, 1775-7 11 panels , 11 metres long


    Mark Adams is my favourite choice for the two room gallery.

    – the ideas the photographer is working with:

    Capturing the amazing Dusky Sounds using large format film. He recorded the 11 images over a period of time. This breath taking photography captures the story of Cook's voyage with detail and depth. When looking at the images one could be in the Dusky Sounds experiencing the stillness and beauty. Leaving one with an amazing understanding and beauty of the Dusky Sounds. Mark Adams idea was to make an impression that is lasting and memorable to all who view the portraits. 

    – the presentation of the work:
    360 panorama, eleven metre long panorama.

    11 panels 1200 x 1000mm each 


    Open framing the highest quality products used to capture the quality of each image. Di bond material used for the mounting of the images very elegant finish.


    The panels are not even top to bottom. They are lined up forming a panorama. The panels are side by side to give one the illusion of a single panorama.

    The images were taken over a period of time. The colours do not all look the same. All the photographs were taken in colour.

    – technical aspects of the work:
    Wide Depth of Field. A Large Format Camera was used by Mark Adams.This gave Mark the  ability to reproduce stunningly sharp images. Mark Adams sat on a rock taking the photos.



    Raemon taking a photo shows the size of the panorama.






    Conor Clarke Scenic Potential:





    F2.8 1/60 EF24-70mm 24mm Original
    The image is totally overexposed so I enhance in camera raw and manipulate in photoshop with filters.












Term 2 Week 1 Digital Tech Papakura Gallery Field Trip

Papakura Art Gallery

Papakura Art Gallery is located in a refurbished fire station on Averill Street in Papakura's CBD.

Overview: Papakura Art Gallery hosts a diverse programme of quality contemporary art exhibitions featuring a range of art forms by local, national and international artists - both emerging and established. The focus of planning is to support the enrichment of local culture and community development through projects and events connected to exhibitions that expose the gallery's communities to creative practice through direct engagement. Programmes also offer opportunities to emerging curators and aim to foster sustainable partnerships with arts organisations such as Tautai Contemporary Pacific Arts Trust and tertiary establishments. Reference: http://www.aucklandartgallery.com
lay of the land Definition: Reference http://www.urbandictionary.com
An assessment or analysis made with regard to a particular situation, to gain further knowledge and insight into it.  "We need to get the lay of the land before we suggest what improvements should be done in that neighbourhood."
Lay of the Land

(Image by Conor Findlay)














The Lay of The Land features the work of contemporary New Zealand artists whose practices are centred on recording with a camera the urban expansion and transformation in Auckland. 
Curated by Anita Totha, the exhibition is a snapshot of the city offering insight in its burgeoning and irreversible sprawl.

Photography & Moving Image Exhibition featuring:

Sean Atavenitia | David Cowlard | Peter Evans | Conor Findlay | John Haydn | Derek Henderson
Dieneke Jansen | Anton Maurer | Allan McDonald | Solomon Mortimer | Talia Smith


Solomon Mortimer Photographer:



The Dominion Road Project, was a body of 56 images taken between February and June 2013. Aimed at recording the present stare of this long standing stretch of asphalt and the characters that shape it. Supported and Funded by the Sir George Grey Special Collection at Auckland City Libraries.
The images exhibited here are from both that collection and Mortimers's earlier photographic explorations of the Dominion Road community.
1. Dominion Road Ranger, 2012
2. Kids with Guns, 2012
3. Andrew Kenneth Mead, 2013

4. Morning Mosque, 2012

5. The King of Wax, 2013

Larry Wood, the king of wax, 2013
from Dominion Road

– the ideas the photographer is working with:

Photo 5# The King of Wax, 2013
Solomon Mortimer  idea to enhances the depth of the black and white subject with the natural light. There is a distinct contrast with the dark and light shades. I enjoyed the photo of Larry Wood the smiling eyes and his pose is natural. The King of Wax is very well known to the area. He is relaxed and enjoys the camera. The Z on the hat complements the white shirt and sun glasses.

– the presentation of the work:

The presentation used by Solomon Mortimer is interesting, on how he has framed the picture using the film information. The information at the top and sides of the film used Kodak ISO 400. The Prints size is 464x508mm (unframed) with equal distance between each photo presented. The portraits are taken in the Dominion Road Community. 

– technical aspects of the work:
Photo is taken in natural light. Fibre-based silver gelatine print, enhances the texture of the Black and white theme used. The photo is taking either in front or around the subjects home in keeping with the lay of the land.  The background is blurred foreground is in focus. Wide F-stop  F1.8, F2.8 or as wide as the lens will go. Solomon focused on the eyes with a narrow depth of field keeping the background blurred.

To enhance the aged effect I think the prints could be soaked in tea. (sample below)



Term 2 Week 1 Portfolio : Introduction to Portfolio

Portfolio
Life | Nature


samples

Editorial Genre: Life | Nature


Life | Nature: Interaction with nature photography

My aim is to move around the city and suburbs taking photos of different scenes incorporating Life (candid portrait) | Nature (Landscaping and trees). Documenting the way the photo is captured and effects. Capturing the different colours created by the reflections and shadows. Taking a series of people and trees in different times of the day going about their daily lives. The plan is to have a tree or trees in all the photos with some nature or life (candid, portraiture). Adding nature and life into the photos for example, birds, water, moon, sunset and people using trees to create a common thread.


Technique & Style:


• Natural and Night photography Photographs taken between dusk, dawn and in the evening. Using the light available from the moon or street lights, buildings using long exposure. Wide Depth of Field, little or no movement where possible. Movement could create motion blur or smoothing effects. This could be used to my advantage for different effects. A tripod is essential. 

• Black and White with special effects using contrasting photos. All photos will taking in colour.

• Shutter speed Fast shutter speed where possible, this may vary depending on the light and movement.

• Lens 70-200mm and 24-70mm using the two lens will allow me to capture a good range of both wide and narrow DOF. Using the Rule of Thirds and fore, mid and background.


Research for the project:

• Pinterest
• Internet, u tube technique and styles of photographers
• Creative Arts Library www.library.manukau.ac.nz online
Research books include: Eugene Atget's trees, Wilson Keith day & night photography, Day Debbie Photography Night methods 
• Creative Arts Library ebooks and PDF downloads
– Still Life and Special Effects Photography by Roger Hicks and Frances Schultz
– Henri Cartier-Bresson by Thames & Hudson
– Two Centures of New Zealand Landscape Art by Auckland City Art Gallery
– Motion Picture and Video Lighting by Blain Brown
– Visual Creativity by Mario Pricken


Eugene Atget's trees above

• Lighting Research natural light to illuminate the area of focus. Use of external lights for example speed lights, reflectors, torches or soft boxes. Research to get a better understanding on how the light will effect the subject and enhance the photo. Lots of experimenting will give me better knowledge of end effect I would like to achieve.


Planning:


Week 1: Researching information
• Lighting timing of sunrise and sunsets for the effects on the photograph to create shadows and possibly reflection if it has being raining.
• Weather dependant 

Week 2: 
• Location doing research of different events happening around my suburb and central Auckland. 
• Discussion Concepts ideas on directions, challenges one to one discussion with lecture. 

Week 3:
• Testing different angles and shoots to see what is the best position.
• Candid shoots be ready all the time to take a shoot of the unexpected.
• Trees and Candid may not always work out, I may need to comprise and redirect to another location. Address different obstacles and checking equipment to complete the task.  
• Catologue each event so the information is recorded time, place and ideas in taking the photos. Record all information including underexposed, overexposed etc etc.



Tuesday, 5 May 2015

Term 2 Week 1: Introduction to Digital Technology Class Exercise

Photographic Genres

http://www.shutha.org/photo-genres

Which genres require more photo retouching? 
Answer: Creative Genre

Why do you think this is?
Answer: Retouching of image would be required for Creative Genre to create a near perfect look of the subject. This does not need to be realty. Correcting the colour or defects of the photo taken. Creative Genre also allows for fantasy and creativity bringing new ideas to the image.

"Creative genres tend to allow an element of fantasy and so are more liberal in terms of photographic ethics, allowing significant retouching and blending of images and so on. Just because the genre is listed here does not mean that we condone each one. Pornography and propaganda, for instance, we would consider to be exploitative and unethical. Be mindful that this is not an exhaustive list. Are there any other genres of photography that you think should fit in here?"



Editorial (non-fiction)
Genre: Life | Documentary Portraiture


Yousuf Karsh (1908-2002) is one of the masters of 20th century photography.  His body of work includes portraits of statesmen, artists, musicians, authors, scientists, and men and women of accomplishment.  His extraordinary and unique portfolio presents the viewer with an intimate and compassionate view of humanity.  Reference: http://www.karsh.org                      Yousuf Karsh (December 23, 1908 – July 13, 2002)




Ernest Hemingway - Portraits by Yousuf Karsh
Style:
• Ernest Heminway (left), the photo is cropped tightly. Positive space behind the head. 
• Lighting from the side perhaps a snoot light was used in a higher position. The face is well light and great detail of Hemingway's strong features, solid look.
• Documentary Portraiture Ernest Hemingway
• Yousuf Karsh was very powerful in using Studio Lights

Creative 
(non-fiction)


Genre: Fine Art | Commercial


David LaChapelle Artist

Style:

• Colourful
• Creative art in his photography and design of the sets
• Meticulous use of Studio Lighting and Props  
• Structured and played layout 
• 'Hyper real' photographic style 








Creative (non-fiction)

Genre: Fine Art


Lisa Reihana Artist

Style:
• Multi-disciplinary artist
• Photography
• Sculpture and Screen Culture
• Composition and techniques that incorporate colours space and amazing lighting



Where will your photography this term fit on these graphs?
My photography this term fits into Creative Genre including Editorial (non-fiction), documenting nature and life. I will be using the method of Juxtaposition to be creative and manipulate the photographs taking.


Meaning: Juxtaposition is placing two elements or words side by side
and letting the reader or viewer compare them. This act compares 
and contrasts the two elements and can show irony, humor or sadness.