Rodchenkis
is a very different photographer. He was dynamic and he used different angles, composition and cropping. The Fire Escape looks like it was going into infinity.
This photo was taken from a low angle,
leading lines move your eyes up towards the top of the building.
The focus is mid to wide DOF. Vantage point, mid ground. (Fire Escape) Above
Alexander Rodchenko, Suchov-Sendeturm (Shuchov transmission tower), 1929. Gelatin silver print, 5 13/16 x 8 7/8 in. © Rodchenko & Stepanova Archive, DACS 2010.
This is a very busy beginning taking you up to a point of peace at the top.
His wide concepts of DOF, low angle makes the image look wider with almost a rounded effect Vantage point foreground. (Shuchov
transmission tower) Above
Henri Cartier-Bresson
French, born 1908, died 2004
“To take a photograph is to align the
head, the eye and the heart. It's a way of life.”
Henri Cartier-Bresson: Eternal Landscape
Reference: Henri
Cartier-Bresson / Magnum Photos
The road is the leading
line moving towards the trees far, far away into the distance. The open space
on the right creates a feeling of depth to the trees.
Mid ground, and a wide
DOF. Amazing composition make one want to go and see where the road leads too.
(Eternal Landscape) Above
The boy with crutches is
the vantage point moving your eyes towards the other boys enjoying the game
they were playing. It appears that the boy on crutches is escaping with the
help the larger boy in white. Lots of laughter in a very poor and broken
building. He seem to have positioned himself through a crack in the wall
capturing the moment. Foreground moving towards the background, leading lines
formed by the boys and the damaged building full of rubble. Great framing. Wide DOF. High
angle.
(The Decisive Moment) Above
Can you talk about each of the Rodchenko images that you have posted in relation to his use of vantage point? How does his use of vantage affect the way we view the subject matter of these photographs?
ReplyDelete